MY last journal entry was posted in the evening of Tuesday 10th June – day 5 – and as I sit typing this on the bus to Barcelona, hostage to fluctuating wifi on winding roads hacked through the granite mountains between Madrid and Zaragoza, it is day 11. A lot has happened. Not least, I’ve lost my towel – Ford Prefect would be so disappointed.
This trip begins in Spain, rather than in perhaps Florence, on account of the vast series of Moorish palace structures which look down upon the city of Grenada: The Alhambra. It’s one of the items marked with a star on my mental list. The Parthenon, the Temple Mount, and the Valley of the Kings are others – the Big Five (big 12 maybe?) for this time-safari across the plains of civilisation. This was not a while-I’m-here-it’d-be-a-shame-not-to; this was the Main Event. So it was quite important that it didn’t disappoint!
The first glimpse I got was from the minibus on the way to the flamenco show on Tuesday evening. The old quarter of Granada is called Albaicin (or Albayzin, or Albaythin, maps differ and the Spanish don’t seem to care) and the minibus climbed its narrow winding streets while the sun infused the clouds deep pomegranate red as it died behind the mountains below us. As it set we stopped to take in the view of 11th Century city walls which predate most of the palace, but by the time we arrived at the San Nicolas lookout point, darkness had fallen completely. Lost in flirtatious conversation with a pretty Kuwaiti as we dismounted the bus, I was halfway across the square before I looked up and out, and the view entirely overrode both mouth and legs. I have tried not to Google to death the sights I’m travelling to see, and was unprepared for the majesty of the Alhambra, sensitively lit in the darkness. It simply stopped me in my tracks.
To the right you can see the oldest walls: ancient, thick, rough-hewn fortifications of the alcazaba itself. Walls to mock Christian trebuchets, walls to withstand a seige. On the left, the more elaborate turrets and windows and towers of the Nasrid palace, final home of the last rulers of the last Islamic kingdom in mainland Europe: the emirate of Al-Andalus. This is a complex rather than a single palace or castle, but covering as it does the whole summit of the outcrop on which it stands, it doesn’t ramble but rather, dominates, imposes, overwhelms. Fair to say, I wasn’t disappointed.
After that, the flamenco show was… fine. It was, technically, “in a cave” as billed, but only inasmuch as the restaurant was cut partly into the hillside, not quite the firelight-and-gypsy-mystique I’d allowed myself to anticipate. The dancing was good, for brief moments even mesmerising, but I know I could have seen faster and better elsewhere in the city, or in Seville.
Wednesday’s daylight was mine to do with as I chose, since my entry to the Nasrid Palace wasn’t until 10pm. The morning’s I ignored, and even did some washing at the hostel, qualifying therefore as “traveller” rather than “holidaymaker” according to criteria thrashed out in a lively debate over dinner back in Seville. The afternoon’s bathed the labyrinth of Albaicin as I trekked around, getting hopelessly and uncaringly lost, retreading some of the streets and viewpoints of the previous night, walking into some impressive churches and monasteries [by which I mean entering, not headbutting], and mainly just trying to navigate from water fountain to water fountain in the oppressive heat. I bumped into Raphael [c.f. Seville] who was doing a walking tour, and I joined it as it wound up out of Albaicin, up as high as San Juan del Alto (the highest church in the city) for a view which encompassed the whole city, the cathedral, the Alhambra, and the snowcapped peaks of the Sierra Nevada carving up into the horizon.
We walked out beyond the city, into real gypsy country, where the caves are hundreds of years old and cut deep into the hillside for secure and temperate days all year round. The history of the gypsy people in southern Spain in a complicated and often unhappy one, and these caves were first carved by peoples persecuted and ejected from the city below by Catholic rulers who were, we might infer, a little fuzzy on the prince of peace’s views on brotherhood. But recent relations have been better, and you’ll find one of the most highly regarded flamenco schools anywhere in these caves, as well as running water and electricity.
Despite a good six or seven hours of walking, I still had plenty of time, so it was a surprise to discover myself running up the zigzag hillside road towards the entrance to the Alhambra at 9.45, so as not to be late for my allotted timeslot at 10pm. I shouldn’t really be surprised, I have barely once in my life converted “oh, I’ve got ages” into “look, I’m here in lots of time”, preferring my own incomprehensible alchemy which instead precipitates “oh shit lookatthetime!”. They are famously strict so having cut it too fine I arrived drenched in sweat and panting – only to join the end of a long queue. I had largely recovered by the time I reached the front of the queue, where they pointed at my ticket, to the large “22.30” printed thereon, and explained in patient Spanish that I was half an hour early.
I was ushered to a waiting area next to the front of the queue, and struck up conversation with a couple of obviously-English tourists while trying not to get caught checking out the obviously-Spanish girl five feet away. Tall and olive-skinned, with bewitching brown eyes and a mane of dark curls which cascaded past beguiling curves to her waist, she was playing with her phone and studiously ignoring my presence until she laughed at something I said, revealing both her Englishness and a captivating, unabashed smile. My focus on the fourteenth century marvel all around me was only slightly split throughout the tour while I worked on reigniting that smile, and on mustering the courage to ask her out for a drink.
The Nasrid Palace, and the wider palace and garden complex which Jasmine and I toured together the following morning, is not quite as breathtaking from the inside as from the out, and certainly no more informative. There aren’t any information plaques, not even in Spanish, and the daytime audioguide is rather poor. Nonetheless there are some breathtaking moments and rooms, and to walk at night in these Islamic courtyards, every inch of their plasterwork mottled with unknowable shapes and unknown koranic verse, their softly serene water-features reflecting the light of the full Spanish moon, is an experience I will not forget.
The thing I struggle to get my head around, actually, is the sheer time involved in the plasterwork and stucco. Christian and ancient Greek monuments of those scale have unadorned walls and individual paintings, or tapestries, or statues. And each of these might have taken a master craftsman or artist months to create, but they are finite. The Islamic and Mudejar styles though have literally square miles of ornate, intricate plaster with designs so tiny they can be measured in millimetres not centimetres. How do you do that? Who does that? How many thirteenth and fourteenth century craftsmen and artisans worked for how long on the walls and ceilings of these palaces, and for long were they apprenticed before they could? It’s mind-boggling to me.
Jasmine and I spent perhaps five hours at the Alhambra on the Thursday morning, and to walk the halls and gardens hand in hand with a beautiful half-Egyptian artist lent the experience a warmth and a reailty it might otherwise have lacked. That afternoon I abandoned plans to head on to Almeria and journeyed with her and her extremely welcoming and patient mother Julia back to Cordoba. We stayed a couple of days in Cordoba, my interloping on their holiday to seeming mutual enjoyment, and the tiny streets and grand buildings of the little city that I’d preferred to Seville or Granada, were even more beautiful this time around.
I had planned to go to Valencia on my way to Barcelona, but from Cordoba the train was expensive and the bus ride interminable, so I left for Madrid with Jasmine and Julia and found a little Pension to stay in right in the centre of the city near the Plaza del Sol. We spent the afternoon taking our time at the Thyssen-Bornemisza gallery, and then skipping round the Prado to see a few unmissable pieces before it closed. Seeing well-known works in the flesh never ceases to amaze me, and to come across that ubiquitous Holbein of Henry VIII, just hanging there on the wall, a foot square of royal blue and royal jowls, was arresting. But so much more moving to bathe in the light, that unique, glowing, earthsprung firelight of Caravaggio’s David and Goliath, or to lose yourself in the fantasmagoria of Bosch’s earthly delights.
Dinner was the best tapas I have ever tasted, a light sweet lemony goat’s cheese salad and fresh prawns drowned in an ungovernably rich garlic chilli glaze. Superb. Later on, Jas and I had delicious watrmelon mojitos and immersed ourselves in the centre of Madrid on a Saturday night, where on every street and square there were chilled out diners and drinkers and smokers, thronging and talking and dancing and… calm. Just having a great night out with friends. At 4am, the streets were still packed and the clubs overflowing but I barely heard a raised voice, and felt perfectly safe. The Spanish football team had lost their opeing world cup match 5-1 the previous night. Can you imagine London or Leeds at 4am the following day? Would you want to?
I only got a glimpse of Madrid before our trip to Toledo the following morning, but I can see myself living there. Seville, Cordoba, Granada were too small – nice places to visit but you’d go round the bend eventually. Madrid feels big and robust enough that I – myself not a small and dainty thing – am not in danger of breaking it. But Barcelona, they say, has all that and the sea… so we shall see…..